Original painted white grey and blue shades and handles.
Arredoluce triennale floor lamp.
The design was also licensed in the united states by richards morgenthau for the raymor corporation.
It has three.
For sale on 1stdibs early version of the arredoluce triennale floor lamp adjustable arms and lights brass enameled steel and enameled aluminum.
Manufactured in italy circa 1960 signed.
Arredoluce triennale floor lamp by angello lelli.
Tripod base and stand in chromed steel.
This iconic lamp was designed by angello lelii for arredoluce in italy in 1953.
Original painted shades of white blue and black.
Tripod base and stand in chromed steel.
Arredoluce was a small scale lighting manufacturer founded by angelo lelli in postwar italy a hotbed of inventive industrial design.
Icon of arredoluce symbol of an era and source of inspiration for many objects to follow over time triennale is perhaps the best known project by angelo lellii.
The company produced lamps and fixtures by several significant italian designers including brothers pier giacomo and achille castiglioni whose tubino desk lamp released by arredoluce in 1949 typified their ability to reduce designs to their most essential.
Arredoluce triennale floor lamp with monochromatic white grey and black shades.
Very good condition with a few signs of use.
For sale on 1stdibs arredoluce triennale floor lamp golden brass and lacquered metal bakelite switches signed under the foot circa 1960 italy.
View this item and discover similar for sale at 1stdibs early chrome triennale floor lamp by angelo lelli for arredolce italy circa 1958.
Presented at the vii milan triennale in 1947 it is a floor lamp with a linear structure and three adjustable arms each ending with a diffuser coloured in red yellow and blue.
Arredoluce triennale floor lamp with monochromatic white grey and black shades.
Very good condition with a few signs of use.
Perhaps lelli s best known design for arredoluce is the model 12128 triennale a three armed floor lamp 1947 according to most italian sources or 1951 53 from other sources exhibited at a postwar triennale.
Light scratches to the shades and one very slight bend in one arm that does not effect it s function.